| Introduction:Narrative, Narrative Theory, Drama: the Renaissance |
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JONATHAN HART
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117-165 |
| Pour une poétique de la nouvelle |
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GISÈLE MATHIEU-CASTELLANI
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167-178 |
| Ritual and Text in the Renaissance |
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THOMAS GREENE
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179-197 |
| Two Texts on Bosworth Field: Richard III, V, iii, I, V |
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HARRY LEVIN
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199-216 |
| "As They Did in the Golden World: Romantic Rapture and Semanitc Rupture in As You Like It |
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KEIR ELAM
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217-232 |
| Narrative Boundaries in Shakespeare's Plays |
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ROBERT RAWDON WILSON
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233-261 |
| "Noble Deeds and The Secret Singularity": Hamlet and Phèdre |
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PAUL MORRISON
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263-288 |
| Cervantes et Tirso face aux performatifs: Don Quichotte et Don Juan |
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ANTONIO GÓMEZ-MORIANA
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289-306 |
| Narrative and Theatre: From Manuel Puig to Lope de Vega |
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RICHARD YOUNG
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307-322 |
| Form and Transformation in Ariosto, Tasso, and Spenser |
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JOANNE T. DEMPSEY
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323-326 |
| Not Recommended for Calorie Counters: A Review of Patricia Parker's Literary Fat Ladies |
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PATRICIA DEMERS
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327-332 |
| The Bottom of The Barrel: A Review of Jan Kott's The Bottom Translation |
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LINDA WOODBRIDGE
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333-338 |
| Digestion > Deformation = Translation: Kott on Literary History |
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ROBERT RAWDON WILSON
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339-345 |
| Treed Domains Map Renaissance Worlds: Thomas Pavel's The Poetics of Plot |
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E. HOLLIS BERRY
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347-352 |
| Negotiating Greenblatt's Shakespeare: New Historicism and Shakespeare Negotiations |
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PAMELA McCALLUM
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353-358 |
| The Dynamics of Power:A Review of Heather Dubrow's Captive Victors |
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CAMILLE WELLS SLIGHTS
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359-363 |
| The Crisis in Narrative: Language, Tale and Drama in the Renaissance |
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JONATHAN HART
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365-392 |
| Annotated Bibliography of Narrative Theory and Renaissance Drama |
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ELIZABETH M. RICHMOND
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393-469 |
| In Memoriam Henry Kreisel (1922-1991) |
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VARIOUS VARIOUS
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470-470 |
